TY  - BOOK
AU  - Stierli,Martino
AU  - Pieris,Anoma
AU  - Anderson,Sean
ED  - Museum of Modern Art (New York, N.Y.),
TI  - The project of independence: architectures of decolonization in South Asia, 1947-1985 
SN  - 9781633451247
U1  - 720.954 
KW  - Architecture and society
KW  - South Asia
KW  - History
KW  - 20th century
KW  - Exhibitions
KW  - Architecture
KW  - Political aspects
KW  - Modern movement (Architecture)
KW  - Philosophie
KW  - Expositions
KW  - Asie méridionale
KW  - Histoire
KW  - 20e siècle
KW  - Décolonisation
KW  - fast
KW  - Philosophy
KW  - Decolonization
KW  - Exhibition catalogs
KW  - lcgft
N1  - "Published in conjunction with the exhibition The project of independence: architectures of decolonization in South Asia, 1947-1985, at The Museum of Modern Art, New York, February 20-July 2, 2022. Organized by Martino Stierli, The Philip Johnson chief curator of architecture and design, The Museum of Modern Art; Anoma Pieris, ...; and Sean Anderson, ..."--Colophon; Includes bibliographical references (pages 239-242)
N2  - South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri Lanka) proposed a novel understanding of modernity, disrupting the colonial hierarchy of center and periphery by challenging modernism's universalist claims. Architecture offered multiple ways to break with the colonial past. Through the establishment of institutions that embodied the societal aspirations of the period, and the creation of new cities and spaces for political representation, South Asian architects produced a body of work in dialogue with global developments while advancing the theory and practice of low-cost, climatically and socially responsive design. Anchored by a newly commissioned portfolio of images from architectural photographer Randhir Singh, this catalog features essays by the curators and scholars in the field on subjects such as the politics of concrete, institution-building, higher education, housing, infrastructure and industry, landscape and design, as well as presentations of 17 projects from around the subcontinent. While several of the architects appearing in these pages have in recent years received monographic exhibitions, The Project of Independence marks the first attempt to consider their work within the ideological frameworks of its creation and the political context of the region as a whole.--Dust jacket
ER  -